Put all these elements together and you’ve got a true metal masterpiece. Then there’s its frantic pace and eerily foreshadowing lyrics: “Mama I’m dying of a heart attack, heart attack, heart attack…Papa I’m dying of an overdose, overdose, overdose…” Lynott sings with such desperation, it’s as if he knows his end is near. As the last song on the last album ( Thunder and Lightning), it’s the final chapter in the Thin Lizzy saga. No, “Heart Attack” earned its #1 spot for its historic context. Matter of fact, this might be the only song John Sykes ever played on where he’s NOT the main event. But those aesthetics alone are not what makes “Heart Attack” the greatest Thin Lizzy song of all time. The riffs are stupidly heavy and the lead melody is a full blown earworm. We seemed to gel and knit really well on that record, and that makes it my favourite Lizzy song.“Heart Attack”? Really? My personal bias is really showing on this one. We played for six or seven minutes, which is a long time for an album track, and I’m kinda glad it takes up a lot of space on the album - I’ve heard a few different edits - because Eric Bell plays some unbelievable guitar on it. We had the idea, we rehearsed it a lot before we went into the studio, but yet again it was left slightly open, so we could play whatever we wanted, and that’s what happened. And that shows on the record, but it sounds brilliant: it was so rough and ready when we started the song, it sounds like a jam we just happened to capture on the day, and that’s basically what it was. We went into the studio in London and left everything open for spontaneous jamming. Phil left it nice and open, didn’t really arrange it too much, leaving lots of room for the drums, and it sounds pretty good to me.įrom the Vagabands Of The Western World album, the third album we did for Decca. It came together pretty quickly: lots of nice strumming in there. This song came about before we went to Canada (we had to get out of England at the time because of our tax situation, so Tony Visconti came up with the idea of going to Canada to record). That’s what makes Black Rose really special for me: everybody contributed something to the song, and it came out brilliantly. He came up with the idea for the riff, and we all waded in with our own ideas. Gary Moore came into the band a couple of times to help us out when guitar players left, or disappeared, or didn’t turn up. “Down from the glen came the marching men” is the kind of standard opening line you’d get with those traditional tunes - I’d heard that sort of refrain before - but Phil put his stamp on it. Lots of Irish-influenced guitar, too, with a jiggy kind of vibe. Kind of an Irish-influenced groove on this one. There’s also a great guitar solo with lots of feedback.įrom the Jailbreak album. And Phil’s lyrics just sound fantastic on that song. A very simple, heart baseline that the drums compliment.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |